Wednesday, 1 February 2017

DIRECTIONS; SOUND PRE-PRODUCTION


After our session with Simon, it got me to thinking about the sound design within my own production, what i want to do with my sound, and how i want to record it. The session with Simon made me realise the wide range of ways to record sound and put it into a film that there is.

Mainly, i would like to record my sound simply with a boom pole, most of my scenes involve purely conversational sound; in one my main character Vee is talking on the phone to her friend and in the other she is in her kitchen talking to her mother. The best way to capture this sound, in my opinion, is simply with a boom pole as i am filming. I believe that this is a better option rather than dubbing the sound in later, because it will add to the drama of the story to use the original sound.

I also have other sound within my production that may require special effects or dubbing in afterwards. This includes the sound from the game that Vee goes on her laptop, the voice i need to use for this needs to sound somewhat computerised, and so i will dub this in during post production rather than during production. Also, within the last scene i have to film, it will be taking place outside, so i will firstly be sure to record about a minute of location sound as well as possibly some special wind effects.

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